It predates the healing brush yet still comes in handy, especially when you’re working near clearly defined edges. The Clone Stamp tool was Photoshop’s first alternative to the time-consuming copy-and-paste method photographers used to have to do to remove something from a digital image. It’s great for working in areas that have a variety of shapes and textures that the spot healing brush simply can’t interpret well. The Healing Brush will automatically match the color-you just need to select a nearby texture. To use it, simply option-click (alt-click in Windows) on an area that has the same texture you’re wanting in the area you’re erasing, then paint over it. The Healing Brush differs from the spot healing brush in that it allows you to choose exactly what it’s going to paint over the unwanted element with. That’s when we move on to the standard healing brush ( or, if you’re working with Luminar, straight on to the Clone Stamp tool). Depending on the complexity of what’s nearby, it doesn’t always get it right. What’s important to know is that the spot healing brush works by looking outside the area you’ve painted, analyzing the shapes there, and then deciding what should be placed in the area you’re painting over. It took only one pass, as it did in Photoshop. For example, in the photo below the guy on the left was erased simply by painting over him with Luminar’s Eraser. But even with more complex backgrounds, today’s technology has the spot healing brush performing near miracles. You can use it on larger objects as well, although ideally, the background behind it will be fairly uniform (i.e. Blemishes, dust, rogue hairs-all of these will disappear in an instant with the spot healing brush. Just select the tool, adjust the brush size, and then paint over the unwanted spot. The Spot Healing BrushĬalled the Spot Removal tool in Lightroom and the Eraser in Luminar, the Spot Healing Brush excels at simple spot removal. The tools for retouching vary between editing programs, but in general you’ll either be using some form of a healing brush or a clone stamp tool. Other elements, however, may need more advanced techniques.
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Lens or sensor dust, skin blemishes, and small lens flares can usually be removed with a single click or two. How much time your retouching will take will depend on the level of detail in the background material surrounding it. Whatever the cause, learning to remove unwanted elements is a key skill for any photographer. Or perhaps you broke up with your significant other and now want them out of the picture. Maybe telephone wires got in the way or you forgot to clean your lens. Everyone’s taken a photo where there was something in the frame they didn’t want.
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